Update 01/02/2009: After exchanging some emails with Bryan Carnathan, I was able to explain to him the purpose of my “anti-Canon” posts and he has agreed to restore my original post back on the forum. Basically I told him I am a Canon user and that the purpose of all this is not just to bash Canon, but to make it absolutely clear we’re not very satisfied with how things are going right now and to stimulate Canon to improve in the future. If that happens, it will benefit all of us. It is important to be critical of Canon, otherwise those of us who have invested in Canon gear will be forced to look for alternatives in the future.
Original post:
Some of you might remember that I got banned a while ago from the DPReview forums because of discussing Canon quality control issues. I wrote about that here. The Digital Picture launched their forums today and as a frequent visitor, I registered and posted a link to my blog post titled “Canon EOS 5D Mark II: Barely worth it!“, requesting feedback from people. I was already getting some responses when a few hours later I get an email from the webmaster, Bryan Carnathan, that he deleted my post:
Your post was deleted by Bryan Carnathan.
Subject: Canon EOS 5D Mark II: Barely worth it!
Reason: Karel,
I welcome you to the community, but would rather you not bring your anti-canon posts here.
Regards,
Bryan
Thank you,
Photography Community team
So it looks like only pro-Canon posts are allowed there. This is plain censorship, and nothing more. If there is one thing I don’t like on the Internet, and anywhere else for that matter, it’s censorship. If you take a look at the comments at the bottom of my “Canon EOS 5D Mark II: Barely worth it!” blogpost, you’ll see that I allow everyone to post their opinions on my site. Whether they agree with me or not, some of the comments are very harsh sometimes. But even that is tolerated. So I have to wonder why these websites, like DPReview and The Digital Picture feel the need to censor my opinion on Canon. Perhaps the reasons are what I discussed in a previous post about the DPReview case.
Dude, what did you expect from a site where one of the menubar options is:
“Canon News”?
If there is one thing I’ve learned from Canon’s presence online is that their marketing department will stop at NOTHING to push their product, whatever the consequences may be. It’s effects are all over the www, and the number of Canon shills and scammers on Usenet begs disbelief.
This is unfortunately one of the consequences of companies with way too much money operating in a totally unregulated global market. Let’s hope the current financial situation around the world will bring these people down to size, because nothing else will.
Even though I don’t agree with your opinion of 5D Mark II being ‘barely WORTH it’, it’s sad that TDP had to remove your post. Possibly because your title’s just a bit too ‘subjective’, while you don’t have enough real-life tests so prove it. No matter how subjective and personal any post gets (such as yours), as long as it’s relevant to the forum, it should definitely stay there for everyone to read and discuss about. I’m sorry for the removal.
On the other hand, I appreciate you start such an argument. 5D II, a worthy product or not? Personally, I totally think it is. Despite the obviously aged AF system, what other weakness does it have? For any serious shooter, esp. Canon users, it’s still the choice of ‘best value’ for the ‘ultimate image quality’; it’s the cheapest Canon Full-frame DSLR; cheapest DSLR with 20+ MP…
Guess if you give a detailed list of Pros and Cons to prove your point, it’d be more ‘welcomed’ in those forums…
Thanks for the reply, Karel.
I actually went back to re-read your posts on your blog, basically you concluded 5D Mark II ‘barely worth it’ due to its flawed/inferior AF system. Is one weakness really capable of deeming one product ‘not worth it’? I think that’s the reason your argument was considered ‘biased and exaggerated’ by some.
I’ve used my 5D for almost 3 years and never find any AF issues, along with 16-35, 24-105, 70-200, 70-300, etc. lenses. The speed is definitely not top-notch, but accuracy is pretty high. I can comfortably say, no more than 3 percent shots are possibly out of focus even at the toughest situations, that’s 1 photo in 30-40. If 5D can do that, I tend to believe the new generation Mark II after 3 yrs, will do at least as goo as that. Just trying to counter your ‘can’t focus properly and get soft or out of focus shots’. I’ll be looking forward to seeing some real-life AF test on the accuracy to believe it!
As for your other point of ‘too expensive’ what it is, may I list the pros that you don’t feel like calling ‘pros’:
- Much better build (according to Canon and some user observation, more rugged than any previous Canon DSLRs, even 50D, except EOS-1D/1Ds series, of course)
- Much higher resolution (same as current Canon flagship, only beaten by 2 other cams, one of them being 3x the price); even lower noise than original 5D
- Numerous new features: high-res large LCD, bigger viewfinder coverage, Live View w/ AF, HD video recording, AF microadjustment, innovative menu system, sensor cleaning… all this I’m sure everyone knows already
All in all, for a price that’s cheaper than any other 20+ MP FF DSLR, cheaper than original 5D, about the same as 12MP D700 which has been in the market for months… U still call it ‘barely worth it’? I guess you may consider switching brand then. 5D II gives what D700 doesn’t provide, while D700 has what 5D II doesn’t possess. If you need best AF system and build quality, but less resolution, D700 would be a much better choice, but that doesn’t justify ’5D barely worth it’, while D700 or anything else ‘totally worth it’.
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I was kicked off Fred Miranda after the Canon fanboys there objected to my criticisms of the Mark III. Some airhead there “proved” the mark III didn’t have a focusing problem by 1) taking a sequence of a truck driving down the street in front of his house; and 2) taking a picture of his thumb on a 106 degree day. I was made an un-person after pointing out that 1) a pickup truck moving laterally in front of you isn’t the same as a sprinter coming directly at you; and 2) the thumb was out of focus.
Um, you might want to stop bashing the forum at The Digital Picture…as you can see here, Bryan put your forum post back up:
http://community.the-digital-picture.com/forums/t/156.aspx
-Erich (innocent bystander)
Karel, I used my 5D for 2+ yrs shooting tons of events in dim restaurants, dark tent and crammed clubs, with no AF issues at all. Of course, I always have 580EX II on it, and the red beam pattern emitted from flash did help achieving AF fast and precisely. While shooting in studio, there’s no 580EX’s AF-assist beam, as long as I keep a minimum modeling light on, AF has no prob.
So if you ask me, when anyone has 5D AF issues, it could be: 1)a faulty camera; 2)camera/lens need AF adjustment; 3)he/she’s not working the camera properly (i.e. too dark to use AF anyways)
As much as I trust my 5D for its strong AF capability, I admit the 5D Mark II’s AF system is indeed its Achilles’s heels, after handling a pre-production working sample at a private Canon event. The entire camera, including the build, the menu system, the responsiveness, etc. etc. have been improved tremendously, just by playing with it for 30min. However, the AF with its aging technology and FLAWED PATTERN DESIGN (this I totally agree with you, Karel), didn’t make me feel any different or improved over the original 5D. Since I’m not shooting sports or wildlife – 5D (Mk II) ain’t designed for that, most people got their expectation too high – I’m okay with the AF speed. As for the ACCURACY, which is CRUCIAL for everyone, I’m gonna wait for Rob Galbraith to do his ‘highly-scientific’ tests to prove it.
Until some real tests like Rob G surface, I don’t consider those spotty ‘experience/feeling-based’ tests convincing. So let’s wait and see! [p.s. May God bless Canon... hahahaha]
Hehehe… I kinda ‘guessed’ there could be some technical glitches, plus the long waiting-list for pre-order, I’m gonna wait until late spring to get my Mk II. Possibly price will come down to below $2.5K in 3 months (enough stock to feed the market, more competitive to A900 and upcoming D400) and all the issues (black dots, AF accuracy, etc.) have been resolved by then.
As for the flawed design of the AF points (that all points are crammed in the center of the frame), I may go as far as to zoom out more so the outter AF point falls on the subject’s eye. I know it sounds dumb but with such high resolution, cropping out the center part out still yields more MP than 5D.
Karel, first of all, let’s leave JPG aside as I’m sure most of us don’t shoot JPG often. (I personally never shot any JPG w/ DSLR, if I wanna do JPG for fun, there’s a pocket Canon PowerShot for that.)
After discussing so much about AF, wow let’s get on to the NOISE issue. Your reference may be valid but everywhere else I read about 5D Mk II’s noise performance was TOP NOTCH, including side-by-side comparison with D700, D3X and A900, by Michael Reichmman of Luminous Landscape. The-Digital-Picture’s early review also reflects this, sadly, he used strong noise reduction with weak sharpening on the ISO 3200 sample that gave a soft/blurry result. I’ve never heard anyone complaining about 1Ds Mark III being ‘noisy’, why should 5D Mk II with a very similar sensor be noisy below ISO 3200? From samples and comparisons I’ve seen, 5D Mk II is as good as 5D from ISO 100 to 800, better than 5D from 1600-3200. Again, let’s wait for more ‘in-depth reviews’ such as DPReview and other sites’. I don’t believe Canon’s marketing ‘claims’, but I trust 3rd party reviews. Until then, anything ‘user review’ is just not very convincing.
The obvious glitches such as BLACK DOTS, and BANDING will definitely be corrected through firmware and refinement of sensor manufacturing. Firmware may not solve every issue, so I guess Canon may improve the sensor manufacturing process – without spending any money, because it’s the same design, just modify the processing to get better quality sensors. If that’s the case, of course, the early adopters may be thrown into a bad situation.
Finally, the price WILL come down soon – no doubt about it. With A900 price creeping down slowly to 5D II after the stocks are filled; D700 has already dropped way below its original spot; Nikon’s new mid-range D400 around the corner; new EOS-1D/1Ds coming out within 6 months at a price point lower than D3/D3X…
With all/most flaws fixed, top image quality (class-leading resolution and noise level) and price down to $2.5K or lower, I’d say it’s WORTH IT!
Wingo, you mentioned you rarely had AF issues with your 5D and mentioned that when in dark environments you would use the 580′s IR beam to help the camera achieve focus.
The reason that won’t work for me (and I imagine for some other photographers), and why I was so disappointed with the release of the 5D II is that when I’m in darker environments I almost always have a pocket wizard mounted on my flash shoe, thus I’m not able to use a 580 or STE2. Despite that I like Canon’s selection of lenses better, I was so disappointed by this fact that I ended up switching systems entirely and getting a D3. I know every photographer has different needs, but I would have been so happy if the 5D had half the pixels and twice the AF performance.
Karel, the AF on the 5D isn’t THAT bad. It’s just not great for low light or sports. I bet it’s good enough for most users, especially if they can mount a flash or ST-E2 on top. You make it sound like it won’t even work in daylight or something…
True, but that doesn’t mean that wasn’t an isolated incident. I’m sure there’s been instances of D700s acting up or any other camera for that matter. From what I’ve read, heard from others, and experienced first hand, the AF works fine for most people when it’s not dim.
Okay, I get your point but like I said I think it’s a bit like complaining the 1DS cameras have too slow fps since it costs $8000. Using your logic, shouldn’t a medium format body have much better AF than a D3 if it costs $30,000? I think we are both right about this from different perspectives and I feel this debate is just going in circles at this point. You seem to think upgraded AF is a required feature in the 5D2, while I am simply disappointed that Canon chose to focus on other things like video and resolution instead of AF.
With the 5D Mark II, Canon was targetting journalists and wedding photographers, but the current AF system is just not up to the task. Not even for things like event photography. Check the link below and see what that guy has to say about using the 5D Mark II for concerts
By targeting, do you mean the design or the marketing? I don’t think they designed the camera for photojournalists, journalistic wedding photographers, concert photographers, sports photographers, etc. I don’t even think they designed the camera for pros. I think the design was dictated by what they thought the prosumer market wanted which was high megapixels and full frame. As far as marketing, they’re marketing it to pretty much all photographers. Why wouldn’t they?
I experienced something similar to this at SportsPooper where the main moderator disabled me from posting in the forum after he disagreed with my opinion, and prevented me from expressing myself on a website dedicated to photojournalists, where I was a contributing, and paying member of.
What ever happened to the good old days of …”I may disagree with you but I RESPECT you for tactfully expressing your opinion”..? It seems to have been replaced with something to the effect of: “Since I disagree with you, therefore I am right, and you are wrong, and that is why I decided to CENSOR you, because I have the power to do so!”..
Hmmmm……good thing I kept their e-mails..
You know,…this blog makes me want to publish them..